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Remedios, founded in 1524, was eclipsed by Santa Clara in the late 17th century and has changed relatively little since. The main square, Plaza Martí, is dominated by two churches – the 18th-century Iglesia de Nuestra Señora del Buen Viaje with a fine bell tower, and the more important Parroquial de San Juan Bautista, dating from 1545. The latter is certainly one of the most beautiful churches in Cuba, particularly notable for its elaborately carved and gilded altar, as well as the only statue of a pregnant Madonna of the Immaculate Conception in Cuba, or as the locals say, in the world.<br/><br/> At the centre of Plaza Martí is the Kiosko Pando, a bandstand dating from 1909, where live 'big band' music is played weekly on Thursday nights.<br/><br/> Remedios is also famous for the Festival of Parrandas which takes place annually on 24 and 25 December.
Remedios, founded in 1524, was eclipsed by Santa Clara in the late 17th century and has changed relatively little since. The main square, Plaza Martí, is dominated by two churches – the 18th-century Iglesia de Nuestra Señora del Buen Viaje with a fine bell tower, and the more important Parroquial de San Juan Bautista, dating from 1545. The latter is certainly one of the most beautiful churches in Cuba, particularly notable for its elaborately carved and gilded altar, as well as the only statue of a pregnant Madonna of the Immaculate Conception in Cuba, or as the locals say, in the world.<br/><br/> At the centre of Plaza Martí is the Kiosko Pando, a bandstand dating from 1909, where live 'big band' music is played weekly on Thursday nights.<br/><br/> Remedios is also famous for the Festival of Parrandas which takes place annually on 24 and 25 December.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
The origins of a temple on this site date to prehistory. The great Greek Temple of Athena was built in the 5th century BCE. The temple was a Doric edifice with six columns on the short sides and 14 on the long sides.<br/><br/> The present cathedral was constructed by Saint Bishop Zosimo of Syracuse in the 7th century. The battered Doric columns of the original temple were incorporated in the walls of the current church. The building was converted into a mosque in 878, then converted back when Norman Roger I of Sicily retook the city in 1085. The roof of the nave is of Norman origin, as well as the mosaics in the apses.<br/><br/> As part of the increased building activity after the 1693 Sicily earthquake, the cathedral was rebuilt and the façade redesigned by architect Andrea Palma in 1725–1753.
The Cattedrale di Santa Maria del Fiore (Cathedral of Saint Mary of the Flowers) is the main church of Florence. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi.<br/><br/> The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.<br/><br/> The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto's Campanile.
The Cattedrale di Santa Maria del Fiore (Cathedral of Saint Mary of the Flowers) is the main church of Florence. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi.<br/><br/> The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.<br/><br/> The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto's Campanile.
Originally built in 1916, the Holy Rosary Catholic Church was completely renovated in 2013.<br/><br/> Christianity, introduced to Sri Lanka by the Portuguese, is predominantly of the Roman Catholic variety and most visible along the west coast, especially around Negombo.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
Saigon Notre-Dame Basilica, officially Basilica of Our Lady of The Immaculate Conception is a cathedral located in Ho Chi Minh City (Saigon). Established by French colonists, the cathedral was constructed between 1863 and 1880. It has two bell towers, reaching a height of 58 meters (190 feet).<br/><br/> Former Emperor Bảo Đại made Saigon the capital of the State of Vietnam in 1949 with himself as head of state. After the Việt Minh gained control of North Vietnam in 1954, it became common to refer to the Saigon government as 'South Vietnam'.<br/><br/> The government was renamed the Republic of Vietnam when Bảo Đại was deposed by his Prime Minister Ngo Dinh Diem in a fraudulent referendum in 1955. Saigon and Cholon, an adjacent city with many Sino-Vietnamese residents, were combined into an administrative unit called Đô Thành Sài Gòn (Capital City Saigon).
The ao dai (Vietnamese: áo dài) is a Vietnamese national costume, now most commonly for women. In its current form, it is a tight-fitting silk tunic worn over pantaloons. The word is pronounced ow-zye in the north and ow-yai in the south, and translates as 'long dress'. The name áo dài was originally applied to the dress worn at the court of the Nguyễn Lords at Huế in the 18th century. This outfit evolved into the áo ngũ thân, a five-paneled aristocratic gown worn in the 19th and early 20th centuries. Inspired by Paris fashions, Nguyễn Cát Tường and other artists associated with Hanoi University redesigned the ngũ thân as a modern dress in the 1920s and 1930s. The updated look was promoted by the artists and magazines of Tự Lực văn đoàn (Self-Reliant Literary Group) as a national costume for the modern era. In the 1950s, Saigon designers tightened the fit to produce the version worn by Vietnamese women today. The dress was extremely popular in South Vietnam in the 1960s and early 1970s, frowned upon as frivolous and borgeois in the North between 1952 and 1986, but is today increasingly popular nationwide, having become once again a symbol of Vietnamese nationalism and Vietnamese female beauty.
Paul Gauguin was born in Paris in 1848 and spent some of his childhood in Peru. He worked as a stockbroker with little success, and suffered from bouts of severe depression. He also painted. In 1891, Gauguin, frustrated by lack of recognition at home and financially destitute, sailed to the tropics to escape European civilization and 'everything that is artificial and conventional'. His time there, particularly in Tahiti and the Marquesas Islands, was the subject of much interest both then and in modern times due to his alleged sexual exploits. He was known to have had trysts with several native girls, some of whom appear as subjects of his paintings. Gauguin died on 8 May 1903 and is buried in Calvary Cemetery (Cimetière Calvaire), Atuona, Hiva ‘Oa, Marquesas Islands, French Polynesia.
In this famous scene from the New Testament of the Christian Bible, Jesus Christ is crucified.<br/><br/> He is nailed to a cross inscribed with the initials ‘INRI’—Iesus Nazerenus, Rex Iudaeorum’, meaning ‘Jesus of Nazareth, King of the Jews’—signifying the Romans’ ridicule of Him.<br/><br/> Angels fly nearby, collecting Jesus’ blood in their goblets. At the foot of the cross, richly dressed and with a halo around her flowing golden hair, Mary Magdalene prays. She has brought a jar of ointment for Christ’s wounds. Behind her, the Virgin Mary, Christs’ mother, is comforted by the Apostle John. On the right, St. Veronica holds up the cloth she used to wipe the face of Jesus as he walked up to Calvary up the road to Golgotha. An imprint of his face remains. This is the famed Shroud of Turin. Other biblical scenes, such as Gethsemane, are portrayed in the background. In the distance stands Jerusalem.
Faltering under the weight of the cross, Jesus Christ falters and falls on the road to Golgotha where he is to be crucified. A Roman guard drags him while another whips him. The Virgin Mary is being comforted behind the chaotic crowd. Two naked prisoners who will face crucifixion alongside Christ walk ahead, their hands tied behind their backs. In the background stands Jerusalem.
Known originally as the ‘Spes Nostra’, meaning ‘Our Hope’, this painting depicts St. Augustine (354—430 CE), the Bishop of Hippo Regius (present-day Annaba, Algeria), a philosopher and theologian who converted to Christianity and was influential for spreading the word of Christ in North Africa.<br/><br/> Venerated in Catholic, Protestant and Orthodox churches, Augustine is patron of the Augustinian order, and is considered patron saint of brewers, printers, theologians, sore eyes, and a number of cities and dioceses.<br/><br/> In the center of the painting, sitting on the monastery’s courtyard wall, is the Virgin Mary. Elizabeth places a hand on Mary's belly to indicate that she is pregnant. Behind Mary, in the background, a young Jesus rides a hobby horse.<br/><br/> In front of the grave, an epitaph reads: 'If anyone passes here, let them see this and weep. I am where you will be; what you are I once was. I beg you: pray for me'.
According to Christianity, the Three Kings, or Three Wise Men, travelled from the East to Bethlehem to pay homage to the newly born Messiah, the son of God. Cradled in his mother the Virgin Mary’s hands, the baby Jesus holds up his hand in a blessing. Before him kneels King Melchior, offering a gift of gold. Joseph, Mary's husband, stands behind in red.
Known in the Christian Bible as the Adoration of the Magi, this vivid scene depicts the Virgin Mary, mother of Christ, sitting in a ruined palace with the baby Jesus in her hands.<br/><br/> The Three Kings (the Magi) have come to Bethlehem to honour the child. They are dressed in their finest clothes. The kings , having removed their crowns, kneel and kiss the Christ's hand. Each bear's a gift, gold, frankincense and myrrh. Joseph stands in red in the background.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
Mary Magdalene (Greek Μαγδαληνή) was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection, according to both John 20 and Mark 16:9.<br/><br/> Mary Magdalene is considered by the Catholic, Orthodox, Anglican, and Lutheran churches to be a saint, with a feast day of July 22. The Eastern Orthodox churches also commemorate her on the Sunday of the Myrrhbearers.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.
The Pietà (1498–1499) is a masterpiece of Renaissance sculpture by Michelangelo Buonarroti, housed in St. Peter's Basilica in Vatican City. The work depicts the body of Jesus on the lap of his mother Mary after the Crucifixion. The Manila Metropolitan Cathedral-Basilica (also known as the Cathedral-Basilica of the Immaculate Conception and informally as Manila Cathedral was originally built in 1581. The eighth and current incarnation of the cathedral was completed in 1958 and was consecrated as a minor basilica in 1981 by Pope John Paul II.<br/><br/> Intramuros is the oldest district and historic core of Manila. Nicknamed the 'Walled City', the fortified Intramuros was the full extent of the City of Manila and the seat of government during the Spanish Colonial Period. Its name in Latin, intramuros, literally means 'within the walls'. Districts beyond the walls of Manila were referred to as extramuros, literally 'outside the walls.'<br/><br/> The city was located then along Manila Bay and south of the Pasig River entrance, before 20th-century reclamations obscured the city from the bay. Guarding the city is Fort Santiago, a citadel located at the mouth of the river. Construction of its thick defensive walls were started by the Spaniards in the late 16th century to protect the seat of the Spanish government from foreign invasions (most notably British and Dutch) and raiding Chinese sea pirates.
The present St. Paul Cathedral was built in 1641. There had been a more modest wood and thatched chapel built on the same site in 1574, but it twice suffered the ravages of earthquakes, first in 1619 and then just a few years later in 1627.<br/><br/> The City of Vigan is the capital of the Province of Ilocos Sur and located on the western coast of the island of Luzon.<br/><br/> Vigan is the only surviving historic city in the Philippines that dates back to the 15th century Spanish colonial period. The town was also an important trading post in pre-colonial times with a community of Chinese traders from Fujian settled in the area.<br/><br/> Today it has been awarded UNESCO World Heritage Site status acknowledging that it is one of the few Hispanic towns left in the Philippines, and is well-known for its cobblestone streets, and a unique architecture that fuses Philippine and Oriental building designs and construction, with colonial European architecture.
The City of Vigan is the capital of the Province of Ilocos Sur and located on the western coast of the island of Luzon.<br/><br/> Vigan is the only surviving historic city in the Philippines that dates back to the 15th century Spanish colonial period. The town was also an important trading post in pre-colonial times with a community of Chinese traders from Fujian settled in the area.<br/><br/> Today it has been awarded UNESCO World Heritage Site status acknowledging that it is one of the few Hispanic towns left in the Philippines, and is well-known for its cobblestone streets, and a unique architecture that fuses Philippine and Oriental building designs and construction, with colonial European architecture.
Saint Anne (also Ann or Anna, from Hebrew Hannah חַנָּה, meaning 'favour' or 'grace') of David's house and line, was the mother of the Virgin Mary and grandmother of Jesus Christ according to Christian and Islamic tradition.<br/><br/> The English name Anne is derived from Greek rendering of her Hebrew name Hannah. Mary's mother is not named in the canonical gospels or the Qur'an, and her name and that of her husband Joachim come only from New Testament apocrypha, of which the Protoevangelium of James, written perhaps around 150 CE, seems to be the earliest that mentions them.